Published on Friday, 25 March 2022 at 3:09:11 PM
Book Club Sets are now available for loan with your library card.
The guidelines are as follows:
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$30 non-refundable hiring fee per set.
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10 books per set.
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6 week loan period; no renewals allowed.
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Borrowing member is accountable for entire set.
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Only return complete sets. Single volumes or incomplete sets are not accepted.
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If any books are missing and / or damaged the borrowing member will be invoiced.
Titles in stock as of 25 March 2022:
NON-FICTION:
Inspired by a personal moment of profound love and generosity, Trent Dalton spent two months in 2021 speaking to people from all walks of life, asking them one simple and direct question: 'Can you please tell me a love story?' The result is a book about love in all its guises, including observations, reflections and stories of people falling into love, falling out of love, and never letting go of the loved ones in their hearts.
There is love in this place, just like there is love everywhere we care to look for it. There is beauty and there is hope and there is a boy and there is a mother and there is the past and there is the future but most importantly there is the now, and everything that exists between them that has got them from one moment to the next. The now is where we find the golden glow where, for the briefest of moments, the sky rips open and we see what it is we are made of. Tell me a story, he asked me. And so I began. Clementine Ford is a person who has loved deeply, strangely and with curiosity. She is fascinated by love and the multiple ways it makes its home in our hearts and believes that the way we continue to surrender ourselves to love is an act of great faith and bravery. This memoir explores love in its many forms through Clementine's own experiences. With clear eyes and an open heart, she writes about losing her adored mother far too young, about the pain and confusion of first love - both platonic and romantic - and the joy and heartache of adult love.
At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores "what it means to be seen, to find someone with whom you can be your best and most complete self." When Patchett chose an early galley of actor and producer Tom Hanks' short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman -- Tom's brilliant assistant Sooki -- with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer's eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo's children's books to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz's Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author's grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark -- and demonstrate why Ann Patchett is one of the most celebrated writers of our time.
Our grandmothers' stories teach us about Aboriginal women's ways of being in our many worlds. Some of the stories in this collection are held in spoken histories, others in archival material, recontextualised with living katitjin. Some are held in my imagination. They are fragments of the many stars in my grandmothers' constellations. I track my grandmothers' stars to find my bidi home. Homecoming pieces together fragments of stories about four generations of Noongar women and explores how they navigated the changing landscapes of colonisation, protectionism, and assimilation to hold their families together. This seminal collection of poetry, prose and historical colonial archives, tells First Nations truths of unending love for children -- those that were present, those taken, those hidden and those that ultimately stood in the light. Homecoming speaks to the intergenerational dialogue about Country, kin and culture. This elegant and extraordinary form of storywork and restorative story work amplifies Aboriginal women's voices, and enables four generations of women to speak for themselves. This sublime debut highlights the tenacity of family as well as First Nation's agency to resist, survive and renew.
Tara Westover and her family grew up preparing for the End of Days, but according to the government, she didn't exist. She hadn't been registered for a birth certificate. She had no school records because she'd never set foot in a classroom, and no medical records because her father didn't believe in doctors or hospitals. As she grew older, her father became more radical, and her brother, more violent. At sixteen, Tara knew she had to leave home. In doing so she discovered both the transformative power of education, and the price she had to pay for it.
FICTION:
Emily is having the time of her life -- she's in the mountains of Chile with her best friend, Kristen, on their annual reunion trip, and the women are feeling closer than ever. But on the last night of the trip, Emily enters their hotel suite to find blood and broken glass on the floor. Kristen says the cute backpacker she brought back to their room attacked her, and she had no choice but to kill him in self-defence. Even more shocking: The scene is horrifyingly similar to last year's trip, when another backpacker wound up dead. Emily can't believe it's happened again -- can lightning really strike twice? Back home in Wisconsin, Emily struggles to bury her trauma, diving headfirst into a new relationship and throwing herself into work. But when Kristen shows up for a surprise visit, Emily is forced to confront their violent past. The more Kristen tries to keep Emily close, the more Emily questions her motives. As Emily feels the walls closing in on their cover-ups, she must reckon with the truth about her closest friend. Can Emily outrun the secrets she shares with Kristen, or will they destroy her relationship, her freedom -- even her life?
It's December 23, 1971, and the Hildebrandt family is at a crossroads. The patriarch, Russ, the associate pastor of a suburban Chicago church, is poised to break free of a marriage he finds joyless -- unless his brilliant and unstable wife, Marion, breaks free of it first. Their eldest child, Clem, is coming home from college afire with moral absolutism, having taken an action that will shatter his father. Clem's sister, Becky, long the social queen of her high school class, has veered into the era's counterculture, while their younger brother Perry, fed up with selling pot to support his drug habit, has firmly resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate. By turns comic and harrowing, a tour de force of interwoven perspectives and sustained suspense which is complete in itself, "Crossroads" is the first volume of a trilogy that will span three generations and trace the inner life of our culture through the present day.
Hidden in the depths of eighteenth-century London, a secret apothecary shop caters to an unusual kind of clientele. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary's fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo through the centuries. Meanwhile in present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, running from her own demons. When she stumbles upon a clue to the unsolved apothecary murders that haunted London two hundred years ago, her life collides with the apothecary's in a stunning twist of fate -- and not everyone will survive.
Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular - the other uncertain and eager-to-please. But something happens one night in O-week - a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.
As Princesses of Crete and daughters of the fearsome King Minos, Ariadne and her sister Phaedra grow up hearing the hoofbeats and bellows of the Minotaur echo from the Labyrinth beneath the palace. The Minotaur - Minos's greatest shame and Ariadne's brother - demands blood every year. When Theseus, Prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that in a world ruled by mercurial gods - drawing their attention can cost you everything. In a world where women are nothing more than the pawns of powerful men, will Ariadne's decision to betray Crete for Theseus ensure her happy ending? Or will she find herself sacrificed for her lover's ambition? Ariadne gives a voice to the forgotten women of one of the most famous Greek myths, and speaks to their strength in the face of angry, petulant Gods.
Late in the night, fourteen-year-old Sam Watson steps onto a quiet overpass, climbs over the rail and looks down at the road far below. At the other end of the same bridge, an old man, Vic, smokes his last cigarette. The two see each other across the void. A fateful connection is made, and an unlikely friendship blooms. Slowly, we learn what led Sam and Vic to the bridge that night. Bonded by their suffering, each privately commits to the impossible task of saving the other.
Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child -- that has haunted her every waking moment -- while forging the power to finally strike back. Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society.
Opal is a fiercely independent young woman pushing against the grain in her style and attitude, a Black punk artist before her time. Despite her unconventional looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her one night, she takes him up on his offer to make rock music together. In early seventies New York City, just as she's finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal's bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially Black women, who dare to speak their truth. Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo's most politicised chapter, but as her interviews dig deeper, a nasty new allegation from an unexpected source threatens everything.
1944, in the ruined wine cellar of a Tuscan villa, as bombs fall around them, two strangers meet and share an extraordinary evening. Ulysses Temper is a young British soldier, Evelyn Skinner is a sexagenarian art historian and possible spy. She has come to Italy to salvage paintings from the wreckage and relive memories of the time she encountered EM Forster and had her heart stolen by an Italian maid in a particular Florentine room with a view. Evelyn's talk of truth and beauty plants a seed in Ulysses' mind that will shape the trajectory of his life -- and of those who love him -- for the next four decades.
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